Aug 12
The BBC’s new adaptation of Ford Madox Ford’s Parade’s End is written by Tom Stoppard, stars Benedict Cumberbatch, and will air in the States on HBO. Like Downton Abbey, it’s an Edwardian drama, but it’s being pitched as a more nuanced and realistic rendition of the era. Benji Wilson’s UK Times story has many more details and includes this Cumberbatch dis: 

Benedict Cumberbatch, who stars in Parade’s End as Christopher Tietjens, the last of the old Tories, describes Downton as “comfortable Sunday-night viewing, but a period soap opera, rather than being true to an era”. Contrast that, he says, with Parade’s End: “You rarely see a piece about this class of people that is this accurate, this funny, pointed but also three-dimensional. We’re not serving purposes to make some clichéd comment about, ‘Oh, isn’t it awful the way there’s this upstairs-downstairs divide.’ It’s a little bit more sophisticated.”
You probably noted the whiff of disdain there, one that is rather apt for the period, in fact. Parade’s End seems almost to be taunting Downton with its credentials. Where ITV has Julian Fellowes as its writer, the BBC will raise you Tom Stoppard. Where ITV has the American public-service broadcaster WGBH as a production partner, the BBC has joined forces with HBO….
If Downton Abbey is essentially a dressed-up soap, Parade’s End is borderline donnish in its complexity. You can start with the source material — Ford’s novels are not exactly airport reads. This is a television series drawn from a stack of experimental modernist doorstops. The adap­tation follows the source material in spirit, but not ­chronology. This is because, at times, there is no chronology….

(Subscription required; thanks, Emma.) See also Alex Chee on Downton Abbey, in “Parvenucracy,” and my correspondence with him about Ford Madox Ford, Jean Rhys, and the novels they wrote after their affair ended.

The BBC’s new adaptation of Ford Madox Ford’s Parade’s End is written by Tom Stoppard, stars Benedict Cumberbatch, and will air in the States on HBO. Like Downton Abbey, it’s an Edwardian drama, but it’s being pitched as a more nuanced and realistic rendition of the era. Benji Wilson’s UK Times story has many more details and includes this Cumberbatch dis: 

Benedict Cumberbatch, who stars in Parade’s End as Christopher Tietjens, the last of the old Tories, describes Downton as “comfortable Sunday-night viewing, but a period soap opera, rather than being true to an era”. Contrast that, he says, with Parade’s End: “You rarely see a piece about this class of people that is this accurate, this funny, pointed but also three-dimensional. We’re not serving purposes to make some clichéd comment about, ‘Oh, isn’t it awful the way there’s this upstairs-downstairs divide.’ It’s a little bit more sophisticated.”

You probably noted the whiff of disdain there, one that is rather apt for the period, in fact. Parade’s End seems almost to be taunting Downton with its credentials. Where ITV has Julian Fellowes as its writer, the BBC will raise you Tom Stoppard. Where ITV has the American public-service broadcaster WGBH as a production partner, the BBC has joined forces with HBO….

If Downton Abbey is essentially a dressed-up soap, Parade’s End is borderline donnish in its complexity. You can start with the source material — Ford’s novels are not exactly airport reads. This is a television series drawn from a stack of experimental modernist doorstops. The adap­tation follows the source material in spirit, but not ­chronology. This is because, at times, there is no chronology….


(Subscription required; thanks, Emma.) See also Alex Chee on Downton Abbey, in “Parvenucracy,” and my correspondence with him about Ford Madox Ford, Jean Rhys, and the novels they wrote after their affair ended.

Jan 14
mcnallyjackson:

sagatrope:

Joseph Conrad’s Sci-Fi book, The Inheritors (1901)
“it concerns a scheme by a group of people from ‘the Fourth Dimension’ to  wipe away the current order on earth and set up their own morally  dubious hegemony.” - from today’s GUARDIAN.CO.UK
FULL TEXT (Good luck finding a non-digital copy of this baby…)

Welp, this seems cool. I guess I’ll just print up a copy for myself with our new book machine now. Did you say trouble finding a non-digital copy? Because that was wicked easy.

The Inheritors is great — weird, slyly satirical, generally delightful. I first ran across it a couple years ago while gearing up for a back-and-forth with Alex Chee about Ford Madox Ford (Conrad’s co-author) and Jean Rhys.

mcnallyjackson:

sagatrope:

Joseph Conrad’s Sci-Fi book, The Inheritors (1901)

“it concerns a scheme by a group of people from ‘the Fourth Dimension’ to wipe away the current order on earth and set up their own morally dubious hegemony.” - from today’s GUARDIAN.CO.UK

FULL TEXT (Good luck finding a non-digital copy of this baby…)

Welp, this seems cool. I guess I’ll just print up a copy for myself with our new book machine now. Did you say trouble finding a non-digital copy? Because that was wicked easy.

The Inheritors is great — weird, slyly satirical, generally delightful. I first ran across it a couple years ago while gearing up for a back-and-forth with Alex Chee about Ford Madox Ford (Conrad’s co-author) and Jean Rhys.

Source: sagatrope

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